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在貝多芬身上充沛無比而為舒伯特所絕無的,是意志。貝多芬既是英雄精神的顯赫的歌手,在他與命運的斗爭中自己也就是一個英雄。舒伯特的天性中可絕無英雄氣息。他主要是女性性格。他缺乏剛強,渾身都是情感。他不知道深思熟慮,樣樣只憑本能。他的成功是出于偶然。{按︰這句話未免過分,舒伯特其實是很用功的。}他並不主動支配自己的行為,只是被支配。{就是說隨波逐流,在人生中處處被動。}他的音樂很少顯出思想,或者只發表一些低級的思想,就是情感與想像。在生活中像在藝術中一樣,他不作主張,不論對待快樂還是對待痛苦,都是如此,他只忍受痛苦,而非控制痛苦,克服痛苦。命運對他不公平的時候,你不能希望他挺身而起,在幸福的廢墟之上憑著高于一切的意志自己造出一種極樂的境界來。但他忍受痛苦的能耐其大無比。對一切痛苦,他都能領會,都能分擔。他從極年輕的時候起已經體驗到那些痛苦,例如那支精彩的歌《瑪葛麗德紡紗》。他盡情流露,他對一切都寄與同情,對一切都椎心置腹。他無窮無盡的需要宣泄感情。他的心隱隱約約的與一切心靈密切相連。他不能缺少人與人間的交接。這一點正與貝多芬相反︰貝多芬是個偉大的孤獨者,只看著自己的內心,絕對不願受社會約束,他要擺脫肉體的連系,擺脫痛苦,擺脫個人,以便上升到思考中去,到宇宙中去,進入無掛無礙的自由境界。舒伯特卻不斷的向自然{按︰這里的自然包括整個客觀世界,連自己肉體與性格在內。}屈服,而不會建造“觀念”(原文是大寫的的Idea)來拯救自己。他的犧牲自有一種動人肺腑的肉的偉大,而非予人以信仰與勇氣的靈的偉大,那是貧窮的偉大,寬恕的偉大,憐憫的偉大。他是墮入浩劫的可憐的阿特拉斯(Atlas)?。阿特拉斯背著一個世界,痛苦的世界。阿特拉斯是戰敗者,只能哀哭而不會反抗的戰敗者,丟不掉肩上的重負的戰敗者,忍受刑罰的戰敗者,而那刑罰正是罰他的軟弱。我們盡可責備他不夠堅強,責備他只有背負世界的力量而沒有把世界老遠丟開去的力量。可是我們仍不能不同情他的苦難,不能不佩服他浪費于無用之地的巨大的力量。 凌辱人妻温泉 你是以藝術力生命的人,也是把真理、正義、人格等等看做高于一切的人,也是以工作為樂生的人;我用不著嘮叨,想你早已把這些信念表白過,而且竭力灌輸給對方的了。我只想提醒你幾點︰第一,世界上最有力的論證莫如實際行動,最有效的教育莫如以身作則;自己做不到的事千萬勿要求別人;自己也要犯的毛病先批評自己,先改自己的。第二,永遠不要忘了我教育你的時候犯的許多過嚴的毛病。我過去的錯誤要是能使你避免同樣的錯誤,我的罪過也可以減輕幾分;你受過的痛苦不再施之于他人,你也不算白白吃苦。總的來說,盡管指點別人,可不要給人“好為人師”的感覺。奧諾麗納你還記得巴爾扎克那個中篇嗎?的不幸一大半是咎由自取,一小部分也因為丈夫教育她的態度傷了她的自尊心。凡是童年不快樂的人都特別脆弱(也有訓練得格外堅強的,但只是少數),特別敏感,你回想一下自己,就會知道對付你的愛人要如何delicate[溫柔],如何discreet[謹慎]了。超碰97免费人妻 一九六○年九月七日(譯自英文) 美妙人妻 “那時在意大利,藝術歌曲還維持著最高的水平,在德國,自然的自發的歌曲(spontaneoussong)正顯出有變成藝術歌曲的可能。那時對于人聲的感受還很強烈(thesensibilitytohumanvoicewasstillvif),但對于器樂的聲音的感受已經在開始覺醒(butthesensibilitytoinstrumentalsoundwasalreadyawaken)。那時正如民族語言{即各國自己的語言已經長成,不再以拉丁語為正式語言。}已經形成一種文化一樣,音樂也有了民族的分支,但這些不同的民族音樂語言還能和平共處。那個時代是一個難得遇到的精神平衡(spiritualbalance)的時代……莫扎特就是在那樣一個時代出現的。”{以上是作者引PaulBekker[保羅貝克]?的文字。}
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Posted June 27, 2019 By Sean Michael Kerner     Feedback

The cloud native market continues to grow.

Organizations of all sizes are increasingly running their enterprise applications on top of cloud native infrastructure and more often than not, that infrastructure is Kubernetes.

Kubernetes is an open source effort originally started by Google five years ago and now operated as a multi-stakeholder effort under the direction of the Cloud Native Computing Foundation (CNCF).

The CNCF gained a major new supporter in June, with the addition of Apple as a Platinum End User Member. The platinum tier come swith a $370,000 annual fee that Apple will now fork over to the CNCF.

Apple isn't just a consumer and user of CNCF projects including Kubernetes, it's also an active contributor. Apple has made code contribution to the Kubernetes container orchestration project, Envoy proxy, Helm and the gRPC project as well. Apple joining the CNCF and being an active participant is a big deal not just for the brand recognition that they bring, but also because Apple was previously a very visible user of the rival Mesos orchestration system.

Kubernetes 1.15

Beyond just a big new supporter, the Kubernetes project itself released its second major update thus far in 2019, following the 1.14 update that was released on March 25.

Unlike Kubernetes 1.14 which introduces 10 new stable features, Kubernetes 1.15 only added two and they're both relatively minor updates.

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Kubernetes now has stable support for Go modules. Additionally, according to the release notes, "The kube-apiserver’s watch can now be enabled for events using the --watch-cache-sizes flag. (#74321, @yastij)."

Though there are only two stable features, there are 13 features labelled as beta that provide a hint of what might be showing up in upcoming Kubernetes releases. One of the largest areas of development is with a capability known as Custom Resource Description (CRDs). The CRD provides an easy way to define and retrieve new extensions to the Kubernetes API.

"The theme of the new developments around CustomResourceDefinitions is data consistency and native behaviour," the Kubernetes 1.15 release team wrote in a blog. " A user should not notice whether the interaction is with a CustomResource or with a Golang-native resource."

Sean Michael Kerner is a senior editor at EnterpriseAppsToday and InternetNews.com. Follow him on Twitter @TechJournalist.

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